Thursday, March 20, 2014

How to Survive Running Away With the Circus – The Price

By Banner Hemweigh

Employees to the HWE are contracted much like any other sport.  These contracts are negotiated prior to performing, and are quite binding. Almost all contracts given by the HWE leave most of the expense of the profession with the athlete.  All travel is arranged, and paid for by the performer.  Only a select few get the company treatment where all is arranged for them.  The performers are considered freelance agents.  Without being recognized by artist guilds or athletic unions, this business is left in the hands of the provider of work, and is without specific regulations.

According to HWE Head Project Manager and On Site Liaison Sheryl Cassidy the level of commitment needed to successfully perform the job and compensation are not equitable to the performer.

“Roughly you make maybe $500,000 a year, mid-carder money.  The bigger stars can go past the million dollar mark if they play their cards right.  So you pay for all travel, hotel, transportation, and just what’s needed for a life on the road.   You take pay cuts if you get injured, pay cuts if you don’t get booked for a pay per view, pay cuts if your merchandise doesn’t sell.  Also the HWE offers no benefits. No retirement, healthcare, or even the basic standards for working in other industries such as disability, accidental death and dismemberment options.  Which in this business, should be a part of the contract.  These are things you have to acquire on your own.  When you factor in hours actually worked, hours spent going to work, and all else in between with fan events and charities it’s considerably more than a standard full time job that only requires a 40-hour workweek. I hate to say it but my family runs what is actually a modern day high paying sweatshop.  Employees spend most of their money and time paying to work.”

The ideas expressed by Sheryl Cassidy come in light of her own personal crisis as she finds herself the daughter of the company, but the girlfriend of a performer.  This insight has crossed the barriers that had normally been in place for decades, and it’s forced the second daughter of HWE owner Thomas Cassidy to take another look at what her family has helped cultivate.

There can be a case made that most entertainment careers carry the same type of policies.  Actors on stage and screen, professional musicians, professional dancers lead very similar lives.  But according to Sheryl Cassidy, with the amount of money being generated the compensation should either be more or benefits should be given for all, and not just case by case.

“Professional dance is a great example.  The larger more successful companies give contracts that take care of everything from living arrangements to paid leave.  Because their bodies are their livelihood they have to treat it that way.  When a dancer gets injured they don’t lose money because they were contracted for a specific period of time, not for how many shows they do, or don’t do.  As the top draws they’ve earned the respect of their peers, and expect the company to take care of them.  Unions have been created to see to the special needs of professional artists and athletes.  It’s long past due for professional wrestling.”


Unlike other contracted sports and performing arts companies, professional wrestling is not seasonal.  Within the HWE organization, usually the only time that a performer receives a break is through an injury. No HWE performer gets paid while injured even though most injuries are received on the job.  With contracts that average 3 or more years of a nearly none stop work load it cannot be compared with even Hollywood movie contracts that pay millions for under a year’s worth of work.  


From Make Mine a Heel by Suenammi Richards

"I liked this story. I'm not a big romance fan, but first this writer knows her stuff about football, Texas culture, and pro-wrestling. Second, the romance sucked me in. I wanted these two to get together because I genuinely liked them. This story is a Powerslam for any romance/sports fan!"
@alchemyofscrawl - Coral Russell

"I have to say I am a professional wrestling fan so this book really caught my interest as soon as I read the description. I very much enjoyed this book and definitely most likely will be reading it again at a late date."


"This isn't a garden variety romance novel featuring sports or wrestling. Ms. Richards has provided the reader with plenty of colorful characters that are dealing with sad, if not tragic, circumstances (racism, child abandonment, ethnic prejudice, drug abuse, etc.). I was pleasantly surprised by how much I enjoyed this book."


Thursday, March 13, 2014

How to Survive Running Away With the Circus – The Job

By Banner Hemweigh

In laymen’s terms, the job is hard.  Annually the HWE produces 12 three hour-long high impact Pay Per Views.  Once a week they stage a mid to high impact two hour long televised showing.  When there is not a pay per view within the week they host at least 3, but never more than 6, two to three hour long low to mid impact non televised ‘House shows’ for limited live audiences.  Since the HWE is international, the schedule also includes exclusive high volume showings in other countries besides America. The shows have professional guild writers, medical staff on hand, hair and makeup crews, top notch pyrotechnics and prop guys, film editing savants able to do it on the fly with only a few hours lead in, and more runners than you can shake a stick at. It is in essence a traveling stage show. All of these components are necessary to set the stage for the main attraction, the performers.

As I learned quickly, the main focus is entertainment through athleticism.  The impact of the job itself bears heavy weight.  The level of stunt work that is done, while safe in increments, can lead to long-term health complications. Without proper conditioning, training, and a trusted medical professional, some of the more unfortunate performers can sustain lifelong disabilities like any other athletic endeavor.

The best of the best combine a signature style of ring performance with basic improvisational and script based acting. As with all things, some are better at it than others.  According to retired legendary ring technician and current HWE trainer Teddy ’Wildman’ Rogers, professional wrestling is a tribute to what came before.

“You’ll be hard pressed to find any live TV anymore.  Even the news is tapped ahead of time. In the ring is a mix of acting, athleticism, and passion.  For the Ancient Greeks theatre was over the top everything.  Costumes, staging, props, sights, sounds, and antics.”

Were the Ancient Greeks watching they would most likely recognize the flair for the flamboyant that most of the performers embody.  An average match is anywhere from 5 to 20 minutes of almost constant motion. This requires focusing on timing, story, and technique all at once. A few of the performers are able to pull off an ironman match.  An ironman match lasts from anywhere between 30 minutes to an hour.  The conditioning for such a feat is most likely found only in Broadway performers, professional dancers, and opera singers.  Very few sports professions leave men out on the field of play for longer than 30 minutes. The men who can and do are superstars of their field, much like professional wrestling.

Then there are the gimmick matches which have gained popularity over the years.  The HWE has put on matches that have involved everything from axes to zambonis.  These matches are usually referred to by the extra prop that will be used, or simply as a ‘hardcore’ match up.  During these matches stunts are higher impact.  The risk of injury is higher, but so is the entertainment level. Some performers have established themselves by signature performances in one of these memorable standout matches.


No one becomes a top tier performer by having just a great look, being great just in matches, or just on a mic.  The idea is to be good to great at all.  In order to be successful the performer has to be able to do it all, have a viable image, a great persona, and nearly flawless ring technique.  

From Make Mine a Heel by Suenammi Richards

"I liked this story. I'm not a big romance fan, but first this writer knows her stuff about football, Texas culture, and pro-wrestling. Second, the romance sucked me in. I wanted these two to get together because I genuinely liked them. This story is a Powerslam for any romance/sports fan!"
@alchemyofscrawl - Coral Russell

"I have to say I am a professional wrestling fan so this book really caught my interest as soon as I read the description. I very much enjoyed this book and definitely most likely will be reading it again at a late date."


"This isn't a garden variety romance novel featuring sports or wrestling. Ms. Richards has provided the reader with plenty of colorful characters that are dealing with sad, if not tragic, circumstances (racism, child abandonment, ethnic prejudice, drug abuse, etc.). I was pleasantly surprised by how much I enjoyed this book."



Tuesday, March 11, 2014

Have you ever wanted. . .

Have you ever wanted to love?
I mean really love.  

Not that bullshit your last failed relationship was but an honest to goodness meeting of heart and soul. A merging of two spirits to form a complete whole.  

Have you ever wanted to really understand that connection that core deep binding to someone where you know if you breathe they feel it. 

Beyond logical response or restraint. 

Beyond those simpletons that complain about how hard relationships are because oh no someone actually cares about what happens to you and wants to see you as you are without boundaries and borders.

Have you ever wanted to know in your heart, your soul, your gut that they are there and they are always on your team?

You give and try to build with shallow selfish children that listen to their id when you are listening to their hearts. 

Have you ever wanted to defy what people tell you about men and women and how they have to interact?

Move away from those dull shallow attachments that have no clue that true intimacy doesn't involve sex it involves pain.

Sharing of pain, of life of death of true emotion.

Its the sharing of life as it comes passion, creation being.

Its standing emotionally naked and bare before their eyes open and weeping without shame or fear.

Its knowing that the intimacy you are giving, the glimpse into the most innocent and vulnerable part of you is not going to be casually ripped apart by the mewling discord of an emotionally crippled vagrant. 


So would I.